after seducing people around the world with the future classic into the sun on local talks oneoffs label and footwork anthems on don t believe released on studio barnhus it s now time to present daybreak or as tooli described the track the first time he heard it -it s like listening to deep burnt part 2-. perhaps it was the jetlag (tooli arrived in nyc the very same day henry sent it) or the fact that it s a straight forward deep track with lush strings and no fuzz included. it s up to you to decide. for remix duties label boss tooli was brave enough to have a go himself and recorded some piano chords and strings. on the flip is where the real magic happens - parkway records head honcho mark seven, considered by many as a dj s dj and mighty fine producer, delivers a remix that takes you on a journey and a half. it s deep, got tons of percussions and lures you into afro territory. if body and soul was still around this one would peak on a sunday afternoon.

bam bams label westbrook unearths a true chicago classic from 1988.
written by mike dunn and co-produced by bam bam all three tracks are truly pioneering acid house benchmarks from chicagos golden age.
re released and re mastered for 2015 in conjunction with westbrook records / chris bam bam westbrook

frank sinatras 1961 album newly remastered and pressed on heavyweight 180 gram vinyl with download code included.

van bonn returns to his label van bonn records after releases on labels like traum, trapez and telrae. van bonn s travel to the magic rain forests and lonely beaches of the island borneo inspired him to compose music that takes you by the hand and leads you into the inner beauty of borneo. his new ep delivers two epic tunes with a total playtime of 24 minutes. the original mix is dominated by massive grooves, carefully layered sounds & field recordings from borneo. van bonn takes his time to let the tension rise slowly to finally erupt in a momentum that may remind the listener of krautrock and post-rock. the borneo dub adds a whole new level of deepness to the original track and formulates an atmosphere that can simply be described as fernweh. wether you listen to borneo in a club, on your stereo or with headphones it is always pure and true techno music for your heart, body and soul.

full instrumentation in cayetanos studio in athens, then the band takes over and changes the sounds with the physical instruments in thessaloniki and back to athens again for the final mix. only bound friends and great professionals like them could make this sound so easy. the mix is over, here comes mastering. enrico mercaldis magic ears help the project to reach the stars for one more time. and now the magic begins.tower of power, the intro or better a summary of the album.

front left represents a very special corner in a very special spot on this planet. every week the front left people gather together to celebrate techno music. techno is what brings us together and what makes us family to one another. we rejoice listening to it, produce it, talk about it, share it and mainly dance to it. it is incredible how one physical spot creates so such magic and human connection. this label brings the productions of the front left people to the world. in the first release, you will find elad magdasi, a heavy dancer and an emotional producer. his productions are wide-ranged and loaded with a true rave spirit, combining an acid-line treatment and his melodic point of view. in the last two years elad s productions turned to the techno side, and now he feels it s time to finally let his music out. gathering knowledge and figuring out his style brought him to this point. his love for raving is what keeps his mojo going and brings the inspiration to his life. joining the first release is matrixxman (charlie duff), the talented producer who s been shaking dance floor with his hit -protocol- for already 2 years and now releasing his debut album on ghostly. not surprisingly, the connection between elad and matrixxman was also formed on the front left. the first release combines a slick collection of sounds.

gauss have been causing quite a stir with recent releases popping up on their own imprint as well as the mighty contrast wax in limited forms. here the outfit drop a superb 3 tracker kicking off with the title track >quadratic forms<, a huge electro jam, reminding us of classic erp works, sure to work magic on the dancefloor. next up >indeterminate variable,< winds it s way along with deep chords, and a totally addictive broken rhythm, this will sit great in a mix. lastly, >pauca sed matura< translating as >few, but ripe< a quote from carl friedrich gauss rounds up this essential package!

reissue of a unknown b-side of an early belgian trance outfit release. before they made euro trance they made this heavenly balearic gem. it screamed for lauer remixes and he provided…
unless you have been sleeping it should be pretty obvious that wph head honcho red d has a weak spot for early belgian trance stuff. before trance was even known as trance that is… the early 90ies were the post new beat era in belgium and loads of producers were experimenting with new sounds to steer away from the blatantly commercial new beat chart stuff. so that is when the magic started happening.

dedikate jumps in wedits /#4: a. a heavy disco banger guaranteed not to leave your head after you hear it - b1. a fitting b-side edit of one of the dirtiest to ever do it- b2. new school twist to a new wave classic

long-time techno protagonist and figure mainstay johannes heil returns with a new 4-track package under his cryptik pseudonym. continuing the focus on a more leftfield, experimental sound, cryptik emerses the listener into a soundtrack world of rich sound, depth of field and versatile, changeable moods. by no means a simple club record, all four tracks offer subtle and rich musical content, each telling a story with beautiful melancholic melodies and rushes of endorphins. from elongated 10 minute journeys into the more reflective zones of heils techno world, snaking and building, showing off all the skills he collected over his 20 years-plus career at the top of his artform, crypik is a dance on the senses. from the cinematic elegance of >the gate<, or the bleep-laden epic of >radiance<, to the post-house piano led drama of >messenger< or the heavyweight synth swarms of >belief<, the ep is full of passion and life, capturing truly magic moments.

big with dixon, the drifter, alex niggemann, fur coat, thugfucker, frankey and sandrino. -sketches of pain- is a meet-up of two cultures which have been at war with each other for thousands of years. music unites where the world of men divides! here the magical voice of egyptian singer ahmad elsawy can weave its spell. intelligent electronica, ethnic and acoustic instruments, all join together once more to blend two worlds into one universal language. 3 remixes. luca bacchetti continues his series of endless remixes preferring a mostly dub feel with a version that retains some of the original elements, creating that tension culminating in what is the “suspended” sonic idyll that lately has characterized his breakdowns, by now a trademark of his. jon charnis, who we already know for his work on innervisions and all day i dream, has taken it in another direction to put together a true masterpiece, the tone here becoming more -trippy- with a pure afterhours atmosphere. the ever present and increasingly detailed groove add to that magic touch that has made charnis one of the most interesting techno artists on the american scene. last but not least one of our favourite techno artists, eduardo de la calle, surprises us with an interpretation that distances itself completely from the original, moving it into that enigmatic, mysterious and unregulated territory that is definitely his very own unmistakable way of living and feeling techno music. an ep that we expect will come-out from indoor clubs to find its best expression in exotic locations, deserts, beaches, dimensions that are part of that imaginary world that we call: endless.

the second release on kitjen is yet another dance maxi that is destined to not leave your bag for a long time . the a-side features ondulè a track by our friends tambien from munich. its irresistable groove stretches over 8 minutes, supported by twirling percussions and flickering synth sounds - a piano chord drops every now and then to keep you grounded. until finally, the ends elf-like scats take you away for good. flip sides to find kornèl kovàcs work his remix magic. hear a stripped down version of the original that builds slowly to develop an epic drive with dark melancholic chords and thriving baseline, guaranteed to get some hands in the air at clubs and festivals around the globe. kitjen hopes you enjoy this summer gift

the faze action brothers released their fifth studio album entitled body of one last year and to continue the celebration they have recruited some heavy weight talents to give their spin on three tracks from that album. first, the brothers take on the remix duties of magic touch, giving it a dub house reboot that could be the sound track to countless sunsets this summer. next up is a deft dub mix of the same track by maxidiscs cohort and globe trotting dj, dicky trisco. on the flip side we have the balearic powerhouse that is phil mison, remixing echoes of your mind into an electronic, down tempo feast with additional bass, guitar and keyboard played by the man himself. the final mix on this 12inch is provided by emotional response curator and head honcho stuart leath under his chuggy guise, delivering an organic dub mix of faze actions floating world

4-fach vinyl limitiert auf 500 stück, inklusive downloadcode und monstertruck-aufkleber.

presented in 5mm spine, ltd edition full-artwork colour sleeve which fits parts 1-3. having scored on mosiac, bodyparts and project london, kashawar returns to autoreply to complete his critically acclaimed moments & lost memories series. here the young german star steps up with time cures a hook driven weapon possibly paying a slower respect to mills purpose maker releases. mpc style swing infects the groove on rise and shine adding soothing vocals and subtle acid lines to side a. flip the disc for deep, funking atmospherics on knotting and spheres adds some of kashawars early morning dub magic to the package. look out for repressed parts 1 & 2 to complete your collection!

martyn dropping his second one on dollydubs. once more the dutchman is delivering a masterclass in contemporary dance music. on block the box you ll find 3 tracks with roots tracing back to the early nineties underground rave spirit, but with that special energy that will unite future dancefloors worldwide. subs, strings & breaks are all present, shifting back and forth between hedonistic ecstasy an moody melancholia. instant magic guaranteed!

• billy nasty’s electrix recordings returns with a new ep by fleck e.s.c.
• very limited vinyl pressing features solid remixes from carl finlow and pip williams
franck collin, aka fleck e.s.c, is an electro artist originally from france but currently living in tokyo. franck’s earlier experience playing bass and drums in bands and his love of horror, science fiction and b-movies, naturally drove him to the electro scene. with additional influences rooted in new wave, contemporary, techno and ambient, fleck e.s.c tries to avoid the clichés of electro, leaning more toward the spooky side of horror and sci-fi and the cheap retro sounds in tribute of the movies he loves. never too serious or pretentious and always striving for fresh sounds, fleck e.s.c’s music aims to distract the body and the brain.
his ‘nice guy ep’ comprises two killer new tracks that emphasize this sound, the dappled ‘what r we waiting 4’ and the ominous tones of ‘nice guy’. remixes of the latter come from london modular’s pip williams with a sweeping rendition, alongside the mighty carl finlow who also adds his magic touch...

a joint effort here as both trip city records andboogie cartel pop the 12 inch cherries with this four track ep from the music obsessive collective. the late night grind ep focuses on some stripped back house and boogie business, heavy sleaze, on this white vinyl 12 inch with artwork from cardiff based kelly havard jones.

ten years - remixed ... eight tracks on two vinyls

2 man synth funk band from leeds influenced by the 80s disco & boogie sounds from nyc. this ep is one for the synth funk freaks, with electro-funk jams, modern synth funk/disco, & sweet electro-bass melodies.

no label coverartwork - standard cover. the unstoppable force that has become the will & ink label now offers up its first remix ep. those hand picked to work their own magic on three originals by the the will & ink production duo are fachwerks roman lindau, arts label owner emmanuel and yaleesa hall, the mysterious artist who released her debut ep on this label back in 2014

focusing on deep and raw vibes, strictly wax and classic beats, the - montee louis ep- has been directly imported from bellevue ii, libreville gabon, africa & it has been produced by the great bernard da smoove. mpc-filtered deep house with some darker & menacing rhythms, a1 - hudson budd- kicks off the a1 with a meaty 4/4 kick drum which slowly finds itself surrounded by ghostly pads and even more haunting synths. a2 - thrawbock- mutates into a more light hearted house jam for the heads, with its vocal infectious sample. b1 - strctly move - goes back into familiar, smooth deep house territories but still retains his magic touch, able to transform even the deepest of basslines into something both unusual and musical at the same time. b2 & b3 thrawbock 88 & strctly move 88 are the 90s hip-hop (!!!) versions of the same tracks above : insane !! first time we heard it we thought, hell yeah, the production is just terrific & indeed there s a timeless quality to the intricately programmed drum machine rhythms, the drifting chords, warm

bomb! first release on subwax black label series sees the swedish dream team signing ibrahimovic on the a-side making the debut in fine style. the track camp nou is one hell of a techno belter and will leave no serious techno crowd unremarked. on the b-side the new face from the east velez weaves together patterns inspired by dusty machines, black magic and slavic paganism for the track black wool.

electronic music approximately 35 years after bands like kraftwerk opened the magic box. a lot happened since then and it seems all is said, done and invented. however it is almost surprising that new things still pop up here and there when it comes to electronic music production.

for the magic catalogue number -parquet100- labelhead solee and longtime parquet artists boss axis joined forces to bring us deep melodic sounds as you should know it from these guys. still here feat. the ukrainian singer yoachim is coming in 3 stunning original versions and a monster remix by spanish mastermind uner (diynamic / cadenza).

the ever growing international collective of bouq. s friends and family is proud to showcase its latest new talents. old mate spencer k with or without his buddy collective machine from budapest are joined by clif jack from northern italy to demonstrate their very own dancefloor magic

hailing from the rank depths of sf bay area back-alleys and only the grittiest of rundown nightclubs and dive bars, a taste of dj milanesa especials sleazy magic is finally here for the world to behold. fellow yay area freak and veteran fan of all things slightly askew for the dance floor, dave aju, managed to get dj milanesa onboard in the studio for this nasty ass jam of the highest/lowest order. chili dog surely finds its inspiration in the classic dance mania cannon of raw shit-talking party-rocking house trax, but ajus unique knob twists and turns here and there on co-production steers it clear into 2015 - the first wildly oversexed dance move anthem of the year is here, and hopefully only the first of many: if youre hungry double up, everybodys

the unstoppable force that has become the will & ink label now offers up its first remix ep. those hand picked to work their own magic on three originals by the the will & ink production duo are fachwerks roman lindau, arts label owner emmanuel and yaleesa hall, the mysterious artist who released her debut ep on this label back in 2014

joy adegoke und wim janssens aka joy wellboy sind seit jahren unzertrennlich, ein paar in leben und kunst. ihr zweites album wedding klingt so komplett und vielfältig, wie man sich ein popalbum 2015 nur wünschen kann: songwriting trifft crooning, elektrobeat kuschelt mit chanson, es gibt minnegesang auf der tanzfläche, herzzerreißende duette und engtanzballaden für die ewigkeit.

new earlydub vinyl from the magic fernando costantini plus remixes by sons of tiki and birdsmakingmachine.
as usual 180 grams, 300 copies no repress, vinyl only. a must have!

and we are back with the 11th edition of shir khan’s black jukebox series. number 10 directly sold out in the pre-order and saw heavy support from cool cats such as wolf & lamb, catzndogs, erol alkan, tiga, gerd janson, audiojack, laurent garnier, tensnake, pedro winter, arthur baker, dj yoda and many more. this time shir khan has collected edits from purple disco machine, dayne s and zoka. limited collector s vinyl only. cop that before it sells out

after the primal scream, janzon is about to bring germanys motorcity stuttgart back to the map of real quality techno with a bunch of stories – hidden in mysterious soundspaces. twisted dust faces the evil and the brave into two trippy and energetic primetime tracks with futuristic aesthetic on the a-side, as well as the magic of funkiness and dark rituals on the b-side. a coherent ep, between different atmospheres on the dancefloor and emotions in the art galleries.

limited 10 x 12 inch box set on yellow vinyl. dont call it a sequel, its just a next step! the sound of belgium digs deeper in our countrys rich soil for fierce beats, endless grooves and sonic ecstasy. the movie, the music, the book: history in the making.

fkclub aka marc lapeyre did it again with the illuminati ep on astrolab. mixing modern synth and old school analog sounds to create a dirty, catchy and powerful track: illuminati. volta is new wav-ish with its dark synth bass and voice, like depeche mode on magic mushrooms. pilooskis remix of illuminati brings the track to a point of dissonance and trippy arp, where the man show us one more time what a flair he has for it.

damn! did somebody upset carlo coz that boy has been throwing down some vicious balls-to-wall beats across his recent releases... and we love it! he got nasty with shaded s gender bender and kicked some serious ass on his latest for carl cox s intec. whilst carlo s latest outings may be fierce, our toronto brother has lost none of the trademark funk that permeates all of his work. the magic ingredient that keeps our hips on the move. carlo returns to mood with deebug, the rampant techno tick that burrows into your brain with its rapid, pincer-like drums and thumping kick. on the flip its fellow ear-bug, no turning back, flows with an almost laid-back and effortless groove. a perfect pair from mr. lio.

re-issue of a classic disco album from 1979.

our moscow b-boy, vinyl freak and outstanding dj lay-far is back with his second ep of secret weapons on basic fingers. secret weapons vol.2 has something for everyone, covering a vast variation of styles ranging from disco (groove), soul-fusion (bolinas), jazz-funk (bouncy lady) and dub (south african crossfire). all very tasty and dj friendly but most important they re all touched by the magic fingers from lay-far.

the new project from luv*jam, limited to 444 x yellow & green/gray colored 12 inch vinyl. enjoy the mythical folklore journey.

supported by ben klock, dvs1, marcel fengler, minilogue, joel mull, claude young, roman lindau, dustin zahn, speedy j, paul mac, alan fitzpatrick, laurent garnier and many more. we are very proud to present ray kajioka’s debut album “en route”. most of the album was premiered in rays live-set during our 20 years of kanzleramt celebration at berghain. others have been shaped and tested over 10 years to find the right frame to release on an album. our mastering engineer, who is recovering from surgery, said >the album is very therapeutic< and >the work on rays album helped me heal<. this is proof to us, that rays magic on >en route< can uplift your soul, especially in spring.

repress 2015 ++ jordash of juju & jordash pops up solo on his own label.tip!jordan gcz is jordan czamanski. jordan czamanski is jordash (from juju & jordash and magic mountain high). he lives in amsterdam.

sounding quite like nothing you have heard before, the excelsiors come correct with their debut album, control this. the latest project from shane ‘sureshot’ hunt, known for his sharpshooters group, and for his highly-regarded soundbwoy reggae breaks series wherein he has liberally dropped science, sharing his in-depth knowledge of ska, rock-steady, reggae and dancehall for the instruction of the hip-hop massive, the excelsiors is the logical extension of shanes passion for classic jamaican music (and more) of the 60s through 80s.

repress 2015
in an almost infinite universe of house music we are still hunting the outstanding, the excitment, the magic.

hard-hitting drums that fire down onto the dance floor like cannon balls. check! intense key patterns that are as twisted as they are uplifting. check! beautiful melodies that seamlessly interlock with each element. check! big sounding, infectious grooves and killer hooks generously sprinkled with the infamous fitzpatrick magic over the top.

for skylax 140, damien zala, of rowtag records fame, brings the heat with a new 6 track ep. it kicks off with an absolutely mad remix of * looking for the sun* by detroit legend, anthony shake shakir. the attention to detail is clear when it comes to someone who has been in the game for so long, and the rework he has done for damiens track is no exception. * the final break* is damiens first original on the record. a skippy, staccato affair in both its percussion and its disco/funk/soul sampling. *beauty is back* is damien taking things down a jazzier route, with a piano laden jazz sample and shuffling drums to match.on the flip, * always young* is an audacious disco edit, sampling such a treasured song that many would consider untouchable, luckily, damien works his magic to make an edit which gets people moving without being obvious. the ep closes out with * emotions* and the original version of * looking for the sun*, barely recognisable from the anthony shakir remix, in the best possible way! sweet & dirty indeed, dont miss this offering by the one and only damien zala.

bash006 comes courtesy of brendon moeller. one-third of bm/cc/cw, the collaborative project between brendon, clay, and certain creatures, brendon is a prolific producer of various excursions across the electronic spectrum. under such guises as the echologist and beat pharmacy, his intricate dub techno tracks have been released on a variety of labels over the last 20 years, such as francois ks deep space and prologue. pressing on red colored / black marbled vinyl.

convertion / let s do it was originally released on sam records in 1980. it featured the lead vocals of leroy burgess, who was also the lead vocalist for seminal disco tunes like black ivory / main line and logg / i know you will. the sam records catalogue is currently administered by nervous records. nervous has a long standing relationship with superstar producer louie vega, who with his maw partner kenny dope has produced some of nervous most memorable tunes, including the signature nervous release -the nervous track- by nuyorican soul. louie as always a fan of let s do it and wanted to do a remix. unfortunately the original parts were lost. not to be deterred, louie decided to reproduce the record, once again with lead vocals by leroy burgess. the result....let s do it - a louie vega interpration. b-side boogie mix stays close to the original version. the a side dance ritual mix includes that magic louie vega flavor that will make it an immediate essential item for all dj s. the 12- release will be available two months prior to the digital release

originally released in 1997, this early production from the legendary dutchman gerd has recently enjoyed a revival, the rare wax finding its way back into the sets of raresh, ryan elliott and bass culture label boss d julz, amongst a few happy others. after seeing on a number of occasions the magic effect ‘mass majestic’ could have on the crowd, the catchy hook appealing to all ears, d’julz knew what the next release had to be. with scarce second-hand copies hotly in demand, this secret weapon is about to see a new lease of life via bass culture. reissued in a remastered and slowed down version, ‘mass majestic’ is one of those tracks which stays on your mind long after the party is over ... the haunting keys, the intensity of the synths and the climax of clashing symbols, all driven along by the raw chugging bass-line makes this a peak-time winner. the flip side features ‘to reach’, another track from the original ep. a big room monster of rolling bass and syncopated keys, its old skool charm and brash energy grabs you to full-on, trippy effect. considered a prolific, timeless and highly eclectic producer, ‘mass majestic’ ep indulges in gerd’s blatant ballsy techno side, remaining an extremely effect dj tool 17 years on.

now indie pop favourites metronomy seek their magic touch to turn -love letters- into a house tune with all the ingredients to create an epic vibe.

the nuclear family return with the follow-up to the summer’s after effects ep - another four tracks of deeper electronics for discerning djs and dancers. the title cut is a throwback to the days when we made music in our bedrooms with whatever cheap-ass drum machines and synths we could lay our hands on, and we have invited one of our favourite artists, atlantas moon b, to lend his magic touch to a remix on the flip, we drift into dubbier climes before dropping the tempo to close things out on a spaced-out electro tip.